Friday, April 22, 2016

Two Baby Sweaters

There have been thoughts of babies.

I have done in the past some knitting for Afghans for Afghans. This group has not been as active for several years. I cannot keep up well with what's going on in Afghanistan and the pullout, the not pullout, the NGO's etc etc,  but if I'm reading Ravelry right, they are now taking baby socks, mittens, and hats.   That said, I had a never worn wool baby sweater. As they are not taking sweaters, I sent this one to "Hats and More for War Torn Syria." 

It is done from Carol Bareny's classic baby sweater pattern, free online. I have done this sweater many times. And so has everyone else...there are 3100 versions out there! The wool is Jamieson and Smith, leftover from a long ago Sasha Kagan pattern.



and in the meantime, someone in my family had a baby, her name is Sophie. Here is EZ's Baby Surprise Classic. I apparently clipped the pattern from Knitter's Magazine from 1989...rather wise on my part, if I may say so... I have also done this one as a gift many times. It's from sock yarn...I keep all my ball bands but of course can't find this one...I do love it though and Sophie's Mom thinks it will fit in the autumn when she is 6 months old...




Sunday, March 27, 2016

My Easter Bunnies

Happy Easter from Blanca and Rosa. They are poor spring fertility symbols as I don't know where I would put more bunnies...but I'm working on how I might do that. 







As I have gotten better at grooming them, I have gotten better at spinning because as we know, it's all about the fiber prep!  I have two colorways: Blanca and Rosa!


Friday, March 4, 2016

FO: Lotus Crescent

What is it about KPPPM? I just LOVE the stuff. I don't know why exactly.  The  color repeats seem to be well distributed for a just-right kind of pattern. 

I really prefer a springy merino heavy fingering weight for many projects and I have a number of brands of yarn that fit that description, including this Koigu. 

Another thing that I really love is pairing a solid with a color changing yarn.

So it was lovely to find a striking pattern, Kieran Foley's absolutely stunning Lotus Crescent, to pair LaJolla Black Pearl with various KPPPM. There are lace "partitions" in the pattern.  Love!  I would have knit it larger if I'd had more of the black. The Ravelry page for this project has many beautiful variations on this, possible because of all the color changes. I WILL knit this again!  And I will be pairing black with colors of KPPPM for other projects...



It's a very stained glass look; here's some of the real thing from the Cathedral in Roskilde from two years ago





Sunday, February 14, 2016

2016 Colonial Faire and Muster at Wormsloe

My friend Jeri works at Wormsloe State Park in Savannah. Last fall she was looking for volunteers to spin at the Colonial Faire and Muster and I volunteered. Wormsloe is a historic site; here is an explanation from here

"A breathtaking avenue sheltered by live oaks and Spanish moss leads to the tabby ruins of Wormsloe, the colonial estate of Noble Jones (1702-1775). Jones was a humble carpenter who arrived in Georgia in 1733 with James Oglethorpe and the first group of settlers from England. Wormsloe's tabby ruin is the oldest standing structure in Savannah.

Surviving hunger, plague and warfare in the rugged environment of Georgia, Jones went on to serve the colony as a doctor, constable, Indian agent, Royal Councilor and surveyor, laying out the towns of Augusta and New Ebenezer. He also commanded a company of marines charged with defending the Georgia coast from the Spanish.  Jones died at the beginning of the American Revolution, but his descendants sustained Wormsloe until the state of Georgia acquired most of the plantation in 1973".



according to Wikipedia:

"The practice of slavery had been banned by Georgia's original charter, so Noble Jones used indentured servant labor to tend Wormsloe in the plantation's early years. When the Trustees revoked the ban on slavery in 1749, Jones used slave labor in hopes of making Wormsloe profitable. Jones initially planted several types of crops, including corn, rice, various fruits and vegetables, and possibly indigo. The Georgia Trustees encouraged the production of silk; Jones planted mulberry trees and tried unsuccessfully to produce silk at Wormsloe."

Here are some photos of the event, it was cold although the open fire was warming with a spinning wheel!  There is an impressive mile and a half long allee of live oaks as you enter:








Open fire  cooking demonstration



Demonstrating spinning to kids and adults who don't as a rule understand it either...I have kids hold some fiber and pull it apart then twist it and try again to demonstrate the importance of twist





Blacksmithing




Me in an indigo dyed silk scarf and hand knit arm warmers, my period jacket is linen and cotton from this pattern 



Reenactors came from all over, I did not get good photos of everyone although I did meet a new friend Renee of Pumpkin Town Primitives who was selling  spinning fiber and many other supplies for the reenactor and interested others!

Sunday, January 31, 2016

My 1860 Prairie Dress and Oatland Harvest Festival

I am so lucky to have an amazing fiber guild in Savannah. My guild, the Fiber Guild of the Savannahs, has a wonderful relationship with Oatland Island Wildlife Center.   Oatland allows use of their facilities for meetings and a weaving room/studio, has an annual Cane Grinding and Harvest Festival at the end of November every year. The guild  has a table with items for sale in front of an old cabin, members bring their spinning wheels, and we demonstrate different fiber arts.  There are also some interactive textile activities for kids.

I decided to make myself a period prairie dress for this event.  I used Past Patterns 1860 Homestead Dress, supposedly based on a historical garment, and used some reproduction civil war era fabric. I found some vintage lace from my old sewing box and added a muslin apron. 



Underneath I am wearing a rope hoop skirt purchased from Heather at Treadle Treasures



Had a grand day...I got some very useful advice on getting my old spinning wheel going from Ruth





saw the wool wheel in use...










And I remembered the words to "Erie Canal" when I met this sweet mule who was part of the cane grinding operation. I have been reading Rinker Buck's "The Oregon Trail" in which Buck and his brother take on the Oregon Trail with a wagon and a mule team, so this meetup with a real mule was timely...




Here's the cane grinder






Friday, January 22, 2016

Christmas making, 2015

Here are some photos of things I created for Christmas gifts in 2015, a bit late.

One of my favorite yarns to work with is Mountain Colors' River Twist.  I originally spotted it some years ago at Knit, a yarn store in Charleston SC that no longer exists. I realized this year that it is really beautiful paired with another color



I started knitting an afghan inspired by Kaffe Fassett's poppies pattern.  I ordered more then realized that this would be YET another afghan that doesn't get used much (I also contemplated wall hanging).  So, that was scrubbed. About the same time I realized that I still knew how to knit a kid's pullover without a pattern. So the yarn turned into sweaters for neice and nephew









And then, there was a pair of these...  my friend C had worn out the heels on these handknit socks which were done by another friend. I purchased some leather slipper sock bottoms and sewed them on, after repairing the holes. I used some of the original yarn plus a strand of kidsilk haze. The repair is a success according to C!



And finally, I made myself a gift. I love the Knit Father Christmas pattern available from Interweave, and have done this in the past. This year I knit a Green Father Christmas!






I needlefelted his face and added an armature from floral wire, as I was inspired to do at SAFF. I love Sarafina's needlefelting videos and used this one to do his head and face





 His hands need to be replaced with needle felt ones, and  there are directions here:





Sunday, January 10, 2016

Needlefelting: Making Faces at SAFF 2015

There is something very almost empowering about making creatures with faces.  One has the opportunity to create a being with, simply by virtue of their expression...personality.

At SAFF (2015 that is) I was lucky to go to a workshop with Anne E. Magrath on "Magical Figures: Needle Felted Fairies, Mermaids and Witches." Anne is a fiberartist based in Asheville. 

I was excited to learn how to build a a figure using an armature, and to create a head and face.  We used floral wire for the armature, who knew? Here are some of Anne's figures, which she sells 



And...here are some photos of the process of making mine




The next stage is scary




Anne suggested romney as making a good core wool. She suggested mixing herbs with the core batting for a pleasant aroma. Anne suggested needlefeltingsupplies.com as a source for supplies and a "face kit" with small amounts of what you need to do a face. 



I managed to break 3 or 4 needles and learned that it's important to hold it straight and not try to move wool with the tip of the needle.  We used a smaller 40 gauge needle for the face.



I dressed her in a dress that I had done for a cage doll (who is now cold) and a the very top of a failed top down shawl. I think she looks like an Irish gypsy or perhaps Baba Yaga. I do love her